And I think the fact I didn’t go to drama school made me want to work harder, to kind of earn my place.” “So I just kind of went for it from there, put everything into it and really studied. “He sort of said, maybe don’t do that, it might be a bit stupid, you can probably be an actor,” he recalls. In the end, it was his theater coach who managed to sway him. With his military papers ready, he began having second thoughts. I loved everything about it, and it felt like an option.” And then I had this newfound military structure in my life, with weapons, medical stuff, camping and being outdoors. “I wasn’t an academic child, I was just creative.
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It wasn’t like I had a full comprehension of any conflict, it was that I found purpose in it and I found structure,” he says. “I’d been in the Marine cadets for four years. But then, aged 17, it briefly looked like he was set to ditch it all and join the Marines.
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Alongside school plays, he began attending - off and on - the RAW Academy, a local “reasonably priced” part-time youth theater school. “I realized that I found a lot of solace in performing and found parts of myself that I was perhaps too reluctant or too scared to go to… so I kind of fell in love with it from a young age,” he says. But it wasn’t long before he discovered his passion for theater. He claims his first brush with creativity came aged around 12, when he started making a weekly web show (which he refuses to name out of embarrassment, but says it became popular among his friends). Born in East London, the youngest of four siblings to a social worker father and hairdresser mother (while not actors, he describes his family as “very boisterous storytellers”), Dickinson’s background is markedly different from the standard privately-educated conveyor belt of British acting talent.
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A steady stream of work since Beach Rats last year included a major role in Matthew Vaughn’s The King’s Man plus an appearance in Joanna Hogg’s The Souvenir: Part II, this year saw him land a BAFTA Rising Star nomination, and now it sees him preparing for his first Cannes visit, thanks to his lead performance in one of the festival’s most anticipated films, Triangle of Sadness from returning Palme d’Or winner Ruben Östlund.Īnd it’s a career that could have made an unlikely military detour. Maybe that’s the wrong way to look at things, but I feel that’s how I got through that period, because it was a lot at once.”Īlmost five years on and “a lot” is an apt description of Dickinson’s career. “My way of looking at life has always been just to try and keep it level.
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The Hollywood Reporter Critics Pick 20 Cannes Film Festival FavoritesĪlthough Dickinson knew inside that something pretty special had happened, he also knew that it could be all over soon, so he wanted to take everything in stride.